…for the perfect water balloon explosion. And while not perfect, I think today I’ve come about as close as I can with the basic equipment and setup I have at my disposal.
Balloon & Pellet
Now that I’ve got the basic timing down, I was able to capture the picture at the left, with the pellet (fired from a pellet gun at about 400 feet/second) in the picture and about to hit the water-filled balloon.
Because the difference between a hanging balloon, a balloon that has deflated with the water still hanging, and a complete watery mess are milliseconds apart, my timing consists of moving the sound detector by a matter of inches.
Pellet Inside Balloon
In this next picture, the pellet has literally just entered the balloon on the right, but the balloon has not deflated yet.
Again, the difference between these two pictures is so short that it’s hard to imagine. So all that’s left is to capture the instance after the actual point of impact when the balloon has collapsed, but the water still retains its shape as gravity starts to pull it down.
I couldn’t decide which picture I thought represented that best, so here’s a series of water balloons punctured by shots fired from a pellet gun.
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And finally, the setup. Last week, I had a comment on one of my water balloon pictures, asking that I show the setup I use in taking these pictures. So here it is.
Water Balloon Setup
Not the most elegant of setups, essentially you can see the camera (Canon 20D) on a tripod to the left, with the Vivitar 283 flash just to the right and below it.
I have the balloon hanging from a shoe lace that’s dropped from a ceiling brace, with a matte black backdrop behind the balloon. I’m using a roasting pan to capture the water as it falls from the balloon, with an inverted funnel to (hopefully) lessen the impact of the water falling.
On the table is a plastic tablecloth, with my sound detector device (described here) on the front left corner. For the actual shot, I move the sound detector to get the delay I want. On the far edge of the table is the homemade backstop for the pellets (essentially a cardboard box stuffed with 2 pieces of 1/4″ plywood, magazines, and newspapers).
And finally, on the front edge of the table are the pellet gun (described here) and safety glasses.
When I take the picture, I set the camera on a 1 second shutter speed, manually focused, with as large an aperture as possible. I turn off the lights, using a small flashlight to provide a limited amount of light. I then take aim on the balloon, use a shutter release to trip the camera shutter, and fire the pellet gun.
If it all works to plan, the sound of the gun triggers the flash just as the pellet reaches the balloon. And since the flash has a duration of 1/30,000 second, the camera sensor just captures that instant in time when the flash exposes the scene.
