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Snowy Days at the Busch Conservation Area

Sunday, February 28th, 2010

Sunny Winter Day

What a difference lighting can make to invoke a mood when viewing a photograph. The photograph to the left was taken at Busch Conservation Area on a sunny weekend morning a couple of days after a snowfall in the St. Louis area. Coming from Milwaukee, the snow in St. Louis is both less frequent and less heavy, so you take advantage of it when it falls.

You can tell this is a few days after the snowfall since the trees have no snow on them – the sun has effectively melted most of the snow.

Contrast the first photograph with this second photograph, taken at the same location, but on a different type of day.

Overcast Winter Day

The overcast sky invokes an entirely different mood when viewing this photograph. You can almost feel the cold – in contrast to the first one where the sun creates a warmer feeling. The tones in the first photograph are warm tones, while the second lacks any warmth at all.

Snow scenes can be difficult to shoot, since the automatic exposure control in most cameras is fooled by the sheer amount of bright, white snow.

The automatic exposure control does an excellent job of determining the overall light available in a scene, setting the correct exposure to get a correctly balanced photograph. With snow, however, the camera tries to average out the scene and is unable to, due to the pure whiteness of the snow. The result is often a gray snow instead of the bright white you saw when taking the photograph.

If your camera allows you to, the correction for this is to adjust the exposure by one full stop. This will let more light in and render the snow more accurately. Depending on the amount of snow in your scene, you may need to adjust the exposure control by more or less than one full stop. And with digital cameras today, it’s easy to experiment. Take the scene several different ways and see which one works best for the specific scene you’re capturing.

Click here for some additional photographs from Busch Conservation Area. The first set were taken on a sunny winter day, while the second set were taken on an overcast winter day.

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Flakeout Festival

Thursday, September 3rd, 2009
Snow Serpent

Snow Serpent

Today’s post is a change of pace.  While not trying to rush the season, I thought I’d go back to earlier this year and share some snow sculpting photos.

The occassion was the 2009 Flakeout Festival, held every year in the Wisconsin Dells.

The harsh sunlight, long shadows, and cold tempertures formed the primary challenges on a crisp February day. This sculpture was of a serpent – the detail on the face and mouth is amazing – and the snow sculptors worked all day Saturday and part of Sunday to get it right.

Snow in and of itself can be a tricky subject to photograph. The bright white surface often fools the camera’s automatic sensors, which don’t quite know what to do with the preponderance of white – and often photos turn out grayish and without definition.

WALL-E

WALL-E

If your camera allows you to adjust the white balance setting, this is the time to use that feature. Some cameras will have a setting for snow, or will allow you to set a custom white balance.

Setting a custom white balance is the best way to go – but prior preparation is key, since this involves photography a known neutral source in the target light and then telling the camera to use that photograph for setting the white balance on subsequent photographs.

Much more common is changing the white balance in your post processing software, but you must shoot in RAW (the photograph, not you) for this to work. Setting the proper white balance will give you back the crisp whites you saw when you took the picture.

Hope this cooled you off on a warm summer evening – enjoy the rest of the summer before it gets away from you!

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