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Laumeier Sculpture Park

Sunday, February 7th, 2010

Laumeier Sculpture Park

It was a cold and overcast day at Laumeier Sculpture Park in St. Louis, Missouri.  Snow had fallen a week or so previous, and there were just some remnants of the snow left.

This happy fellow is a sculpture built into the ground, with steps surrounding it to provide a place to sit and contemplate.  The snow and the trampled footsteps all around add some texture to the ‘face’.

The mostly overcast skies provided good light with manageable shadows – you can still see shadows in the face, but they are not as sharp as they would be on a bright sunny day, and they add texture and depth in this case. This photo was taken for 1/200th second at f/11 (ISO 200), using a focal length of 60 mm.

Laumeier Sculpture Park

This next photo shows a massive sculpture – filling a large area and serving as a focal point for many of the sculptures in the park. It is clearly winter, with none of the green foliage to set off the bright red tubing.

The scale is indicated by the trees in the background. While they are a ways off, it is still apparent that this sculpture dominates the landscape.  This photo was taken for 1/400th second at f/11 (ISO 200), using a focal length of 35 mm – a fairly wide angle focal length necessary to capture the entire sculpture.

To see more pictures taken at Laumeier Sculpture Park, click here.

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Flakeout Festival

Thursday, September 3rd, 2009
Snow Serpent

Snow Serpent

Today’s post is a change of pace.  While not trying to rush the season, I thought I’d go back to earlier this year and share some snow sculpting photos.

The occassion was the 2009 Flakeout Festival, held every year in the Wisconsin Dells.

The harsh sunlight, long shadows, and cold tempertures formed the primary challenges on a crisp February day. This sculpture was of a serpent – the detail on the face and mouth is amazing – and the snow sculptors worked all day Saturday and part of Sunday to get it right.

Snow in and of itself can be a tricky subject to photograph. The bright white surface often fools the camera’s automatic sensors, which don’t quite know what to do with the preponderance of white – and often photos turn out grayish and without definition.

WALL-E

WALL-E

If your camera allows you to adjust the white balance setting, this is the time to use that feature. Some cameras will have a setting for snow, or will allow you to set a custom white balance.

Setting a custom white balance is the best way to go – but prior preparation is key, since this involves photography a known neutral source in the target light and then telling the camera to use that photograph for setting the white balance on subsequent photographs.

Much more common is changing the white balance in your post processing software, but you must shoot in RAW (the photograph, not you) for this to work. Setting the proper white balance will give you back the crisp whites you saw when you took the picture.

Hope this cooled you off on a warm summer evening – enjoy the rest of the summer before it gets away from you!

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